why have there been no great women artists citation

With The Reckoning: Women Artists of the New Millennium, authors Eleanor Heartney, Helaine Posner, Nancy Princenthal, and Sue Scott build upon the work of their earlier volume, After the Revolution: Women Who Transformed Contemporary Art (New York: Prestel, 2007). Despite the changes of nearly two and a half decades, this lesson remains relevant (sadly, so do many in Schor’s essay): unless new narratives are explicitly created to kick against its mold, history is bound to take the shape of the patriarchal society into which it is written. “It will always be a man’s world unless one seeks out and values the women in it” (Mira Schor, “Patrilineage,” in Wet: On Painting, Feminism, and Art Culture, Durham: Duke University Press, 1996, 117). “The method is really very simple,” she explained.

In the 1992 postscript to her essay “Patrilineage,” published in Art Journal the year prior, Mira Schor argued for the necessary interruption of male-dominated art history through the production of histories of and by women.

Performance Art/Performance Studies/Public Practice.

Museum Practice/Museum Studies/Curatorial Studies/Arts Administration.

Drawings/Prints/Work on Paper/Artistc Practice.Digital Media/New Media/Web-Based Media.Architectural History/Urbanism/Historic Preservation.

Subject, Genre, Media, Artistic Practice.

Why have there been no great women artists citation